These are direct quotes from podcast hosts who have worked with us for at least six months. We asked each person for permission before publishing.
I used to spend my entire Sunday editing a 40-minute episode. Now I record on Thursday, send the files, and the finished episode lands in my inbox by Monday morning. The edit quality is better than anything I managed on my own, and Marc-Antoine catches verbal tics I never noticed.
We record four people on Zoom, and the raw audio usually sounds like a conference call. Sophie and the team turn it into something that sounds like we were all in the same room. The noise reduction on episode 34 was almost magical: one of our panellists was recording next to a window unit air conditioner.
Objective Audios handled our launch package: cover art, trailer, feed submission, everything. We went from zero to listed on Apple Podcasts in 11 days. The only reason I give four stars instead of five is that I wish they offered video editing too, but they were upfront about that from the start.
I run a true-crime show that requires careful handling of sensitive audio, including court recordings and 911 calls. Jean-François cleaned up those clips without making them sound artificially processed. He also flagged a segment where a victim's last name was audible, which I had missed entirely. That kind of attention matters.
We switched to Objective Audios after our previous editor kept missing deadlines. In eight months, they have delivered every single episode on time. The show notes Sophie writes are detailed and well-structured, which has helped our search visibility on Spotify quite a bit.
I record interviews in both English and French, sometimes switching mid-conversation. The team handles bilingual episodes without any confusion. They even adjust the loudness normalization separately for each language segment, which I did not know was a thing until they explained it.
Two examples of how we helped shows grow from launch to a stable audience.
Nadia Chouinard started "Grain par grain" in March 2022 as a way to share conversations with Quebec farmers. She recorded on her phone and edited in Audacity. The audio quality was rough, and she had no idea how to submit her feed to directories beyond Apple Podcasts.
We re-recorded her first three episodes in our studio, designed new cover art, wrote an optimized show description and submitted the feed to seven platforms. Within four months, her average downloads per episode went from about 180 to over 900. By the end of 2023, she was consistently hitting 2,400 downloads within the first week of release. The show now attracts sponsorship from a regional seed supplier, which covers her production costs entirely.
Étienne Bouchard and his three co-hosts record "Le carrefour politique" every Tuesday evening over Zoom. When they came to us, their episodes had noticeable echo, inconsistent volume between speakers, and a persistent hum from one participant's desktop fan.
We set up a recording workflow that captures each speaker on a separate local track using free software. Jean-François created a custom noise profile for the fan-noise problem and built a processing template that he applies to every episode. Total turnaround dropped from five days to two. Listener complaints about audio quality, which had been a recurring theme in their Apple Podcasts reviews, stopped entirely after the third episode we produced.
If these stories sound like the kind of support you need, let us know. We respond to every inquiry within one business day, and there is no obligation until you approve a quote.
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